yall-mothafuckas-need-misha:

“Why do you love this world so much?”

It ain’t the world Cas loves so much, my dude

pinstripehourglass:

Has anyone else tired of the grim realism “anyone can die” thing in television? There is a point, I believe, at which character death and violence ceases to become meaningful or even provocative, and just becomes senseless.

Killing off important characters, when you first do it, is daring. It takes tremendous artistic and creative confidence to believe that your audience will keep watching. But when such deaths become the defining part of a series, what does that tell us? Not to commit to anyone. That the story we’re watching is pointless, because the characters’ lives are ultimately meaningless.

I’m tired of nihilism in 2015. I am no longer shocked; I am merely bored.

glossostiel:

this is always valid and necessary
but after what happened in the last episode someone needs to give dean a long hug and kiss his cheeks and his forehead and his hands and tell him that he is loved and that he is strong and he can and will get through this

preferably someone who is a blue eyed dork angel that likes texting

bakasara:

kazstiel:

Sam and Dean live in a Hobbit hole

“pass it on” I say as I roll on the floor all the way down a cliff

thecastielsideofyou:

graceiswasted:

dnwinchester:

what if misha directs the musical episode

what if misha directs destiel episode

Dean is so going to get laid

euclase:

I love how all the best slash pairings in all of the history of television are always more passionate than any het pairing.

That should tell you some shit, right? Because people want equality in their characters. And until they become a couple (and therefore have to submit to the baggage and balance society prescribes a couple), het characters have amazing sexual tension and equality.

But as soon as a show hooks up the het couple, everything falls apart because suddenly the equality is gone, and the balance is gone, and the characters have to fit the roles of their couplehood, and the audience just doesn’t care anymore.

But take two male characters with copious amounts of unresolved homoromantic tension who are completely devoted to each other—who will never be unequal or have to fit any roles society prescribes and who will never be out of balance—and your show will shine like a beacon, and hearts will bust into teeny tiny little pieces.

I didn’t give a shit when Cuddy said she loved House, but I cried my eyes out when Wilson begged House to say it to him.

I mean, just random opinions and thoughts. I don’t know. I’m not really saying het couples on TV are shitty, but on the other hand, I am, because I hate it when it happens. It always seems as if the girl gets slotted into a role as the subordinate to the guy. She becomes an extension of him rather than his equal. As soon as they become a pairing.

It always feels like the guy won. You know? 

That never happens to Spock. Or BJ. Or Merlin. Or Castiel. Or Wilson. Even as a sidekick, they’re still never reduced to an extension.

Idk.

THE FUCKING BADGE SCENE

mapalap:

OKAY HERE IT COMES GUYS. THIS IS ALL IN CAPS LOCK. THIS IS MY FUCKING META AND IT’S FULL OF CURSING BECAUSE OH MY FUCKING GOD JUST LOOK AT THIS SCENE.

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close-to-blasphemy:

itisnotofimport:

season 4 Dean returns from Hell and makes a big show of “de-hymenizing” and picking up chicks

season 8 Dean returns from Purgatory and hasn’t so much as looked at a woman in three episodes (unless you count Kevin’s mom)

season 4 Dean find out a case involves strippers and is completely ecstatic

season 8 Dean finds out he’s tracking a stripper and rolls his eyes

who did

Dean meet

in season 4